Wild At Heart

Katie Robinson English 20 Mr. Langmead Paper #2 Love Lies at a lower come forward the Surface of the Water         The excerpt from Wild at Heart, by Barry Gifford, is the story of a ex-convict and his girlfri ratiocination who are traveling transverse country to escape the problems at home. boatman and Lula are common run extraneous screwrs. Only, they are being cut throughd by a hit man, and urinemans parole officer. In the expcerpt from Wild at Heart, the causality uses the symbolism of peeing in relation to shuck hat, Lula, and Johnnie to illustrate and watch off their relationship.         The excerpt begins in the mantlepiece Fear Hotel where Lula and waterman befool stopped for the night. Lula is watching the river as it enters the Atlantic ocean(1). This is symbolic of their coming together. Sailor is mistakable to the ocean. Oceans are commonly notion of as wild, unpredictable, and dangerous. Sailor was in jail for cardinal years for the manslaughter of tag Ray Lomon, and aft(prenominal) he was released, he ran apart from his living-room officer, which would classify him as wild and unpredictable. Lulas produce is horror-struck that she could exit a convict, and is certain the he mustiness be dangerous. Lula is similar to a river. Rivers just follow the river bed and aim along until they meet the bigger ocean and then be coiffure stir up of it. Lula has decided to go along with Sailor and follow him wheresoever he goes.          Lula has left her niggle and is in a peeled world with danger and risk. She is nerve-wracking to aviate her way belief he cutting emotional state she is making for herself. While Lula is in her Hotel Room she watches the fishing boats navigate the narrow lead(1). As boats come push through of the channel they have to watch out for from each integrity separate and be wary of the rough body of waters as they set aside the protective w each(prenominal)s of the c! hannel.         Sailor is fascinated with Lulas eyes. When he was on the chain gang in prison he popular opinion nearly them often. They kept him sane. When he was in a dread(a) place, what kept him hopeful and never let him get down(p) was the supposition of his revere for Lula. By thinking of her it almost took him off to a paradise. He swum in them[Lulas eyes] as if they were great cool, decrepit lakes with small(a) violet islands in the middle.(1).         Lula basks Sailor more than anything. She must if she could cease everything behind to be with him. He marks her deepest(1). She didnt break-up with him after he killed someone, and after her mother forbade her to see him.         Lula and Sailor slop about the brand of cigarettes they smoke and the kind their parents smoked. Sailor tells her that his mother died of lung bathcer. afterward on in the excerpt Lula took one more pacifier and threw her cigarette out the windowpane into the river(1). This is symbolic of her throwing dying away to Sailor. Not physical death, hardly emotional death. She has disposed(p) herself to Sailor and he has love her back, hence saving her from a life of mediocrity. He has given her something spectacular, love.         The love between Sailor and Lula is in its purest form. They love comparable restraintbarianren. Sailor asks Lula how she got such courteous unbendable shoulders. She responds, Swimmin, I guess, even as a child I loved to swim(1). In this case the water she swims in is exemplar of Sailor. She is like a child, innocent and relianceing. He is the strong powerful ocean, retentiveness her afloat, and making her strong, with his support and love. Lula also talks about when she was infinitesimal she was naiant and a leach stuck to her, it was awful(1). This can be understand as Lula having past bad experiences with love. just now this measure sh e is totally in love and is boldnessing of her lover! .         Sailor and Lula are meant to be together. When Lula is in the Cape Fear Hotel, she looks out the window and says, how spooky it is to be at the absolute end of a body of water(1). In this case the river she is looking at is representative of the journey of looking for your life partner. She knows that it is over and she bequeath be with Sailor for the rest of her life. She is a little queasy because she knows she get out never be with anyone else again, and that commitment is overwhelming.         An attri only ife of water is the concomitant that a body of water may be one thing at the surface, but something totally distinguishable underneath.

The ocean is beautiful with a sunset in the background, but underneath the surface their could be blood hungry sharks swimming somewhat; or it could be violent and stormy on the surface, but calm and cool underneath. This theme is seen throughout the in all excerpt. Johnnie Farragut is introduced at the very end, he is a hit man, lock by Lulas mother to kill Sailor and bring her chick friend back home. He sits in a bar and watches baseball. He feels a ripple in his locus ceruleus, the place where dreams emulate(1), and decides decision Sailor can wait, because he should write a story. finished the character Johnnie, the author exhibits mans ability to have two divergent personalities, or dimensions to them. He is a paid killer, stock-still he wishes he was a writer. Johnnie fantasizes about the television repoint The twilight(prenominal) Zone, and is sad that it has been canceled. He is sad about a TV show, yet he kills people for a liv! ing. In a simmilar way Sailor is different on the surface than he is on the inside. He is a ex-convict, who has killed a man. Yet, he is so tender and loving toward Lula. On the outside Lula is a young, naïve, girl who is just following her lover. But, it takes courage and strength to word of farewell a life behind and start a new-made one.         Throughout the excerpt Wild at Heart, love and trust cone into play over and over again, especially in relation to water. The protection offered by water is also minded(p) in a loving relationship. If one exercises in, and takes advantage of water is makes them stronger; in the same way if someone takes advantage of love it makes them a stronger person because they have someone else who has their best chase in mind. Gifford helps the reader understand love, by using Sailor and Lula in correlation with water to illustrate love.          1. Postmodern American Fiction. Geyh P, L eebron FL, Levy A.Wild at Heart. Gifford, Barry. New York and Chicago:W.W. Norton & Company, 1998. 281-286. If you affect to get a full essay, order it on our website: BestEssayCheap.com

If you want to get a full essay, visit our page: cheap essay