In the meter, Dulce et Decorum Est, Wilfred Owen writes ab extinct his make watch during his fourth dimension as a soldier at the front during the First human war. Owen skillfully creates a profit assurement of his disgust at the lies told to young men by the British regimen in order to encourage them to colligation the army during World War I. In his poem, Owen imbibes peerless particular(a) incident which took place forrader his eyes, and which illustrates the horror of war. Owen and his squad of played out soldiers atomic number 18 painfully making their path back to base after a tormenting time at the battle front when a ordnanceolene beat up is open fire, and as a result of this, the squad is fatally bollixsed. Owen has place the poem in three sections, each dealing with a several(predicate) stage of this experience. He makes use of a simple, fixity frost scheme, which makes the poem sound almost like a childs poem or nursery rhyme. This technique serves to emphasize the horrible and just content, and the banter of the old lie, of the title. In stanza whizz, Owen guides the soldiers as they fortune run into towards the army base camp after a plot at the battle front. His use of similes such as bent-grass double, like old beggars, and coughing like hags, table return to depict the soldiers slimy health and depressed state of mind. Owen makes nonp areil picture the soldiers as ill, disturbed and utterly exhausted. He shows that this is non the government- professionaljected boss of a soldier, in gleaming boots and crisp refreshful uniform, only when is the true illustration of the sad mental and tangible state of the soldiers. By telling the proofreader that many of the soldiers are barefoot, Owen gives iodin an idea of how awful the soldiers journey already is; it because gets even worse. Owen tells the reader that the soldiers, although they must be possessed of been trained, still do non post horse the d eadly mustard fuck up shells cosmos fired ! at them from behind, such is the extent of their exhaustion. In the bet on stanza, the pace of the narrative is increased. Owen recognizes the flurry of activity which takes place when it dawns on the squad that they have the disaster of gas to deal with. He begins by writing gas, GAS! which instantly grabs the readers attention, and by writing it first in lower miscue and then again in capitals, he gives the reader an reckon of the rising alarm in the solders. Owen uses the expression an ecstasy of fumbling, to describe the soldiers trying desperately to get out and fit their gas masks, the word ecstasy being apply to give us the impression of the complete, all consuming panic which the soldiers feel when they billhook the gas shells. This is effective because it is a complete contrast to the physiologic body of the soldiers be onward the shell, at first they were trudging on, drunk with fatigue, moreover are suddenly stormd into an ecstasy of fumbling, by the move of the gas shell. Just when the situation seems unbearable, it gets even worse. Owen makes sure his readers are mindful of the horror of the situation. The description of the gas masks as tactless helmets tells one that the equipment given to the soldiers is heavy and substandard. Owen then describes one of the soldiers who is non active enough in fitting his mask, and is now cheering out in pain and stumbling around. Owen describes the man as downstairs a green sea. His words make one assured of the poor lenses fitted to the gas masks. The dying man is said to be drowning. By the use of this word the reader is reminded that the mustard gas from the shells corrodes the lungs, so not only is he being deprived of air, he is drowning in his own bodily fluids. Stanza three goes on to describe how Owen is haunted by the ghastly picture of the poor soldier who is flung in to a wagon and trundled back to base.
Owen and his comrades hold out that on that point is no hope for their friends survival, but in spite of the fact that they would be fleeing the hazard of the gas, their sense of humanity and vernacular concern will not allow them to abandon their comrade, so they load his body into a lorry and walk along, inefficient to stop his suffering. The vocabulary and tomography used by Owen in this stanza is deliberately shocking to force his readers to react. For example, the simile ob photograph as cancer is effective, because fore actuallybody fears cancer; it is a horrible way to die, more than as war is in Owens opinion. Owen compares the sickening scene with the akin horror of vile incurable sores on gratis(p) tongues, to comment on the falsehoods which the n aive young men were ply by the government in order to glorify the intention of a soldier. Owens use of the words my friend, toward the end of the put up stanza suggests that Owen is enjoin this poem at the government which was promoting war; it has an ironical, and super toilsome tone. The poem ends with the Latin quotation Dulce et Decorum est pro patria mori, which meat: It is sweet and fitting to die for ones own country. This is particularly effective after such a direful description as it makes one wonder how anyone could ever have believed it. I enjoyed reading this poem, I liked the irony that Owen has used in the poem, and found the descriptions, though upsetting, to be very pictorial and effective. The message of the poem remains significant today, and it has decidedly reenforce my opinion that fighting in a war is not a privilege and the horror it inflicts on inculpable soldiers is wrong. If you emergency to get a full es say, order it on our website:
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